Saz, Rosé and I were put in charge of the floor for the Tron show which we were pretty much left to our own devices as Emma's model left a lot to the imagination. It was to look like muddy WWII trenches. It was a good experience though, having to figure out what textures to use and how to give it depth and a muddy feel. After we got the hang of it and found out what worked I think it looked great.
Weekly blogging of my time as a scenic artist at RCS.
Wednesday, 25 April 2012
Sons of Ulster
Last week was a funny old week. There wasn't much motivation going about and the days seemed to drag. It was pretty quite whilst we were waiting for the magic flute walls to be made.
Saz, Rosé and I were put in charge of the floor for the Tron show which we were pretty much left to our own devices as Emma's model left a lot to the imagination. It was to look like muddy WWII trenches. It was a good experience though, having to figure out what textures to use and how to give it depth and a muddy feel. After we got the hang of it and found out what worked I think it looked great.
After Emma okay'd it we packed it up and piled it in the corner ready for our next challenge.
Saz, Rosé and I were put in charge of the floor for the Tron show which we were pretty much left to our own devices as Emma's model left a lot to the imagination. It was to look like muddy WWII trenches. It was a good experience though, having to figure out what textures to use and how to give it depth and a muddy feel. After we got the hang of it and found out what worked I think it looked great.
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